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by Fascism on Film
What do movies teach us about fascism?From propagandistic myths of power to stories of suffering and belonging, cinema has long chronicled the many faces of fascism. Films don’t just reflect history or envision the future; they help shape it, revealing how authoritarian movements seduce, normalize, and endure, and at what cost to our humanity.Fascism on Film Podcast explores these connections one episode at a time. Each season (10–15 episodes) tackles a different facet of fascism on screen. Season 1 looks at pre‑war fascism, examining both notorious propaganda and lesser‑known works of resistance.Hosted by writers and lifelong cinephiles James Kent and Teal Minton, the show blends sharp analysis with decades of shared filmgoing experience to uncover how art, ideology, and history intertwine.Music courtesy www.classicals.de.
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Bernhard Wicki’s powerful 1959 German anti-war film, "The Bridge" shows the tragedy and futility of following fascism to its final end. A group of high-school boys in a small German town during the final days of the war, can't wait to get into the fight for Germany, only to discover, far too late, that all they've been taught were lies. This week's film, "The Bridge" doesn't contain any shine, gloss, or dancing to David Bowie at the end. It's one of the most tragic looks at the destruction that fascism brings to its people.
Silly "JoJo Rabbit," fascism is for kids. Every National Socialist knows that the way to sustain a reign of 1,000 years is through the corruption of the little ones. In this week's episode, James and Teal look at 2019's Oscar-winning film for Best Adapted Screenplay, "JoJo Rabbit." Writer-director Taika Waititi moves the dramatic and controversial material of the book to a decidedly more comedic tone. But through the laughs, does "JoJo" have a lesson to teach?
Not even Sybil the Soothsayer could have predicted how much Paddy Chayefsky and Sidney Lumet's 1976 film "Network" would mirror today's world of infotainment and the corporatization of media. "Network" is a film that continues rewarding repeat viewing, as it offers up new ways to examine the U.S. population's fascination with realty television, and how the lines obscure between truth, fiction, and the vox populi. If you've never before seen "Network" there may never be a better time to watch this masterful look at the power of television and those behind-the-scenes willing to go to any length to corrupt it for the sake of ratings and stockholders.
"The Great Dictator" kicks off Season 3 of Fascism on Film. Charlie Chaplin takes on Hitler and the Nazi's in a biting satire that is noted today for its historical importance in cinema. But does it hold up as a farce or has time diminished its power. James Kent and Teal Minton examine how funny or unfunny fascism can be with this look at "The Great Dictator."
In a special one-off episode of Fascism on Film, we take a look at the pay-to-play Amazon-purchased documentary, "Melania" which fails as both documentary and as MAGA propaganda. It isn't sure of its subject or who its intended audience is for. James and Teal break down every inaugural dress measurement and bizarre soundtrack music cue for this dreadfully dull filmmaking undertaking. Watch "Melania" at your peril, or just listen to this podcast episode.
In the Season 2 finale of "Fascism on Film," James and Teal break down the 2024 film, "I'm Still Here." Walter Salles' look at Brazil under military dictatorship in the 1970s is a chilling reminder that what was once another nation's past, strikes an eerily similar note to what we've allowed ourselves to occur in the present. "I'm Still Here" tells the true story of one Brazilian family that seemingly has it all until one day, authoritarianism catches up with them. Enjoy this episode, and James and Teal will return in 2026 with an all new season.
1977's "A Special Day" is a heartfelt romance of Hitler and Mussolini’s infamous cementing of their two nations culminated in a 24-hour Roman holiday. No, but it is set on the same day as that day-long event. However, in the Roman suburbs, we get a different meeting of two mismatched strangers, Marcello Mastroianni and Sophia Loren bring a story of humanity and heartbreak set amidst the backdrop of a political ideology that doesn’t allow homosexuality. "A Special Day" is a masterwork of cinema, and a dive into a world under fascism's rule.
In this episode, James and Teal tackle Ari Aster’s "Eddington," a dark, surprising film set in the earliest days of COVID—when fear, isolation, and conspiracy thinking were reshaping the country in real time. They discuss Joaquin Phoenix’s unraveling sheriff, the town’s descent into misinformation, and the chaotic final act that blurs the line between protest and false-flag operation. It’s one of Aster’s most unsettling films, and a direct reflection on the world we’re living in now.
What do movies teach us about fascism?From propagandistic myths of power to stories of suffering and belonging, cinema has long chronicled the many faces of fascism. Films don’t just reflect history or envision the future; they help shape it, revealing how authoritarian movements seduce, normalize, and endure, and at what cost to our humanity.Fascism on Film Podcast explores these connections one episode at a time. Each season (10–15 episodes) tackles a different facet of fascism on screen. Season 1 looks at pre‑war fascism, examining both notorious propaganda and lesser‑known works of resistance.Hosted by writers and lifelong cinephiles James Kent and Teal Minton, the show blends sharp analysis with decades of shared filmgoing experience to uncover how art, ideology, and history intertwine.Music courtesy www.classicals.de.
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