
Keeping a tight point of view is critical for our story. Here's how we can stay inside the mind of our main character yet learn what others in the scene are thinking. Plus, how John Grisham works. And: how we can reveal what a character is thinking through facial expressions. Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is foc...
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Episode 217 - Why and how to practice. And Edgar Alan Poe.

Episode 216 - Too many characters is a scene.

Episode 215 - The ratchet, a strong plotting tool.

Episode 214 - Famous writers show us how to write and live.
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