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by NOËLLE FLOYD
Join Noëlle each week, as she embarks on a journey to explore the vast and diverse world of horses, delving into the many sub-communities and cultures that shape our shared passion. This podcast is about more than just riding styles or training techniques; it's about celebrating the deep connection between humans and horses, and understanding the common threads that tie us together. Whether you're a seasoned rider or just starting out, you'll find inspiration, knowledge, and a sense of belonging in every episode.
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When did you make it? Ask most riders that question and they'll point to a medal. Steffen Peters points somewhere else — to the darkest place he has ever been, and the way back out of it. This is Part 1 of my conversation with a six-time Olympian, and we barely touch a rein. Forty years of horse training sit behind this man, and the first thing he wants to talk about isn't a horse. It's the thing underneath the ribbons. The neuropathy in his hands and feet after Paris that twenty-five doctors couldn't explain. The cold plunge and the vagus nerve, and the natural experiment that gave him relief when the medications didn't. The one ride in Tokyo — September 27th, 2018, a date he can still name — that sent him spiraling, and what it taught him about himself that no arena ever did. He says you cannot manage stress. You can only manage yourself. He learned it, in his own words, way too late. The quality of your thoughts becomes the quality of your life, and for a while his thoughts were trying to take him under. We get into the ego leaving, and the pride that stays. Why he loves that strangers in an airport call him "the rave horse" and never say his name. Why exposing weakness became the strength he's known for. What radical acceptance looks like at a Grand Prix, standing at the gate. And how the same sensitivity that can tip a person toward anxiety is the exact instrument that reads a horse — the sensitivity that is the whole art of his horse training, and also the thing that nearly broke him. Dr. Reiner Klimke is here too, in a story Steffen didn't learn the truth of until five years after it had already set the course of his career. If you have ever carried a bad day home and let it live in you overnight, this hour is for you. It is a rider telling you what the podium doesn't show. Steffen Peters is a German-born American dressage rider, a six-time Olympian and multiple Olympic medalist, and one of the most decorated dressage athletes in United States history. He returned to competition this year after stepping away following the Paris Games, opening his season with wins in the Prix St. Georges, the Intermediaire I, and the Grand Prix. Chapters: 00:00 When It Got Dark 02:04 Neuropathy After Paris 06:36 Managing Thoughts Not Stress 08:28 World Games Spiral 12:34 Why Horses Deserve Credit 17:55 Flow Junkies Explained 20:15 Stepping Away To Heal 22:30 Las Vegas Highs And Lows 25:07 Vulnerability And The Brain 27:23 Tools for Dark Days 29:15 Radical Acceptance Practice 30:34 Sensitivity as Superpower 33:05 Awareness in the Saddle 35:05 Judged Sport Pressure 36:35 How Dressage Judging Evolved 41:02 Modern Horse vs Tradition 42:10 Klimke Sponsorship Story 45:26 What Made Dr. Klimke Great <span class= "text-defau
There's one horse you would cross the country for. You know the one. The horse who found you when you had the least to give and somehow handed you back to yourself. Now hold that horse in your mind, and sit with this: roughly 20,000 of them a year get loaded onto trailers bound for Canada and Mexico, and it reaches every kind of horse — the show jumper, the Thoroughbred who ran too slow, the lesson pony grown old, the wild horses rounded up off land that was meant to protect them. Ashley Avis has looked straight at it. She sewed a button cam into her shirt and walked into the Texas auctions where kill buyers wait. She founded the Wild Beauty Foundation, directed the mustang documentary Wild Beauty: Mustang Spirit of the West, and remade Black Beauty for Disney+. And she has turned all of it toward one aim: passing the SAFE Act in the year of the horse. This conversation goes to the place most people flinch from. Ashley and I talk about why horse people, of all people, find horse slaughter the hardest thing to watch — and how she makes you look anyway, through ninety-second films voiced by Mackenzie Foy, Jessica Springsteen, and Diane Lane, and scored by Billie Eilish's "What Was I Made For?" We talk about my mare Lady, one of those wild horses herself, who ran feral for fifteen years before she came to me, and who could have ridden that same truck to Mexico. We talk about the black colt with pneumonia that Ashley coaxed out of a kill buyer's pasture, and the economics that let a man triple his price on a horse's life. And we talk about Black Beauty — what Anna Sewell did in 1877 by writing from a horse's point of view, and why it still rearranges the people who meet it. Then Ashley tells you exactly what two minutes of your day can do. A microsite. Your zip code. A pre-written letter your member of Congress will read. If you have ever been remade by a single horse, this is the reason to pull the car over. Ashley Avis is a filmmaker and the founder of the Wild Beauty Foundation. She directed Disney+'s Black Beauty and the mustang documentary Wild Beauty: Mustang Spirit of the West, and her Lost Horses campaign is carrying the SAFE Act toward a vote. Make the call to Congress to pass the SAFE Act: Call the U.S. Capitol Switchboard to directed to your Senators and Representative: 202-224-3121. Once connected, all you have to say is, "Hi, my name is [NAME] and I am calling from [City/State] to ask that the [Senator/Representative] pass the SAFE Act (H.R. 1661, S. 775) to protect American horses, both domestic and wild, from being exported out of the United States to slaughter. Thank you." Share the Lost Horses PSA: The Lost Horses campaign and legislation to stop horse slaughter is gaining momentum and we must keep up the awareness. Please share the PSA on social media and with your friends and family. Vimeo, YouTube, Instagram, Facebook. Donate to the Lost Horses campaign: Help continue to reach the masses so that no horse is lost again. losthorses.org/support Episode Sponsor: YETI Made for early mornings in the barn and long days in the saddle. Whether you're hauling feed, chasing daylight on the trail, or loading up for a weekend on the road, YETI coolers and drinkware are built to handle it. No shortcuts. No compromise. Just gear that works as hard as you do. Explore more at <a href="https://www.y
You get the thing you chased for five years. And the ride is the worst one you've ever put down. Kasey Perry-Glass reached the Olympic Games on the horse she bought to take her there — Doublé — and came home into a depression that blindsided her. This is the conversation under the medal photo. What it costs to want something that badly, and what she found on the far side of it. She married a cowboy. Dana Glass starts colts and takes in the horses other people gave up on — the rearers, the buckers, the bolters, carrying baggage nobody unpacked. Two worlds under one roof: her classical dressage, his groundwork. What one taught the other is most of this hour. We get into the perfectionism that dressage rewards and then punishes — a score out of 100 that stays out of reach, a sport where the best mark is a C or a D on a good day. Why she stopped posting to social media. The line Martin Black uses, let them cook, and why ending a ride a little early beats grinding it into the ground. Pain versus behavior, and the checklist she taught Dana: clear the ulcers, the hindgut, the teeth, before anyone calls it attitude. Then the mental game she learned the hard way. Finding her number with Annette Paterakis — the exact pitch of nerves and calm that lets her ride her best. The work with Dr. Jenny Susser. Blacking out in the saddle, ten minutes gone, grinding the same movement. Boundaries. Getting told she was "too nice" for this sport, and what she kept anyway. Behind the vertical, point of balance, throughness without a single draw rein — she explains the dressage the way she explained it to Dana, the sport he first met through her. This one is for anyone who has wanted something so badly it made them small, and found their way back to the size they actually are. Kasey Perry-Glass is a US Olympic dressage rider — team bronze at Rio 2016 (America's first Olympic dressage medal since 2004) and team silver at the 2018 World Equestrian Games — who competes as Kasey Perry. Her longtime partner was the Grand Prix gelding Doublé (Goerklintgaards Dublet), now retired; she currently campaigns Heartbeat W.P. She and her husband, cowboy and colt-starter Dana Glass, run Two Worlds Equestrian, joining Western horsemanship and Grand Prix dressage under one program. To Learn more about Kasey Perry-Glass: website | instagram | facebook In This Episode You'll Learn What it costs to reach an Olympic Games and ride your worst test there, and the depression Kasey came home to The perfectionism dressage rewards and then punishes, chasing a score out of 100 in a sport where a great mark is a C Let them cook: why ending a ride a little early beats grinding a movement into the ground The pain-versus-behavior checklist Kasey taught Dana — ulcers, hindgut, teeth, before anyone calls it attitude Finding your number with sports psychologist Annette Paterakis — the exact pitch of nerves and calm that lets you ride your best Blacking out in the saddle, ten minutes gone on the same movement, and the mental work that pulled her out Behind the vertical made plain: the poll as the highest point, and why a horse's own point of balance can't be copied and pasted Throughness without a single draw rein, and how groundwork gave an Olympic rider tools her dressage babies never had Chapters: 0:00 How Kasey met a cowboy 4:51 What Dana does: colt starting & unpacking a horse's trauma 8:41 Groundwork, the rope halter & being a beginner again 14:34 [ad: Total Feeds] 15:14 The perfectionism dressage rewards and punishes 19:51 Let them cook: ending on a good note 23:17 Pain vs. behavior: what we blame on the horse 29:05 Bringing two worlds together 30:36 Welfare, eliminations & the "blood" rule 33:44 [ad: Noëlle's Substack] 36:07 Judging transparency & educating the viewer 39:21 Behind the vertical, explained 41:44 Point of balance & throughness without draw reins 44:47 Training aids as tools; groundwork informs the saddle 49:34 The Olympics — and the depression after 53:44 Patience in a same-day world 57:22 The mental game: finding your number 1:02:29 Boundaries, thick skin & remaking herself 1:07:19 Tough vs. strong; raising horses and kids 1:12:50 Rapid-fire questions Episode Sponsor: Connaway & Ass
You think the cow is the hard part. She isn't. You are. You get ahead of her to turn her, and she beats you to the herd every time. You spur, you pull, the horse's head comes up, and now nobody is watching the cow at all. Martin Black has read millions of head of cattle, and the horse training lesson underneath all of it is the one almost everybody gets backwards. To cut one cow out, you leave her alone and stir the herd around her. To turn her, you turn away — not toward. The horse rates the cow the way a foal learns to rate its mother in the first thirty minutes of life. It's already in there. Our job is to stay out of the road so the horse can use it. This is Part 2 of my week with Martin on his ranch in the Great Basin. Part 1 is the ranch, the horses, and reading the moment — start there. We work the balance point and the flight zone, and why a cow reads your horse's head like a horn and your horse's hip like something softer. Why getting in front of a cow to block her only sends her faster. What Tom Dorrance told Martin decades ago about turning tail, and how that one idea makes a green horse handier by the day. Gene Lewis, his mother's cousin, and jumpers that rate a fence with nobody telling them where to put their feet. Then the part that reshaped how I keep my own horses. Turnout over stalls. Bare feet when the ground allows. A crick to cross and rocks to pick through, because a horse who has to sort out the terrain grows savvy, and a horse who never has to stays a passenger. Martin runs horses as a business, not a companion animal, and says his vet bills will stand against anyone's. Colic almost unheard of. Feet the ground keeps honest. It made me ask what I was really protecting when I bubble-wrapped mine. The horse training here is subtraction, not addition. Cows think more like horses than you'd guess, and empathy runs under all of it. Martin Black is a lifelong Great Basin horseman and stockman from a multi-generation ranching family, working in the vaquero tradition and the lineage of Tom Dorrance. He spent ten years starting young horses at Calumet Farm in Lexington and now teaches horsemanship and stockmanship through clinics and a ranch school. If you want to go further with your own horse, NF+ has 70+ masterclasses at noellefloydplus.com or through the app link in the show notes. In This Episode You'll Learn The move almost everyone gets backwards: to hold a single cow, you leave her alone and stir the herd around her Why getting in front of a cow to block her only sends her faster back to the herd — and what to do the instant she turns How a cow reads your horse's head like a horn and your horse's hip like something softer, so a leg-yield moves her where a headbutt would spook her <li class= "font-claude-response-body whitespace-normal break-words pl-2" data-sourcepos="85:1-85:123
We pat our horses to tell them they did well. Martin Black says the horse would rather we kept our hands to ourselves. He has spent a life inside western horse training — starting close to five hundred colts a year on the same Great Basin country his family has ranched since the 1860s, seventy miles from his nearest neighbor, the road over the mountain closed all winter. And what he showed me this week is that the pat is for us. The reward the horse is after is chemical: the flood of serotonin and dopamine that arrives when pressure lifts and the body comes home to rest. Martin calls it the cocktail. Rouse the horse, bring him down, and he licks his lips — he got his drink, and he will go to that edge with you again because he knows you will take him to the bar after. This is western horse training as one of its living masters practices it, and almost none of it looks like technique. Martin reads a colt the way the rest of us read a single sentence — ten things at once. He calls it peripheral thinking. The predator in us locks onto the prey: the outcome, the lead change, the plan for the day. Martin holds the objective and lets the plan bend to whatever the horse hands him. The seed that wants to grow today gets watered today. The one that is not ready waits. We talk about the hours. I could shadow him in Idaho for years and still not own his timing, because feel does not transfer. You earn it one horse at a time, and no clinic sells it. We talk about why he trains his cattle the way his family has since the 1860s — the rodear, the old vaquero work that crossed from Spain and reached Texas two centuries late — and why a dressage horse belongs on a cow as much as any ranch gelding does. And we go into the cowboy neuroscience of it: sympathetic arousal, homeostasis, pressure and its relief as one thing rather than two. Dr. Steve Peters pulled Martin out of a lineup for this. Martin calls himself a bartender. He once waited forty-five minutes on a traumatized cutting mare, feeling her heartbeat through the saddle horn, until she finally licked her lips and found her way home. Part one of two. In part two, Martin takes it to the ground — reading cattle by the million, and moving one cow out of a herd by leaving her alone. Martin Black is a Great Basin horseman and colt starter who has started close to five hundred colts a year, working the same remote Idaho country his family has ranched since the 1860s. He carries the lineage of Tom Dorrance and Ray Hunt into a plainer, harder question: what does the horse in front of you need? In This Episode You'll Learn Why the pat you give after a good round is for you, and what the horse is asking for instead. The cocktail — how serotonin and dopamine turn pressure and its release into the reward the horse remembers. Peripheral thinking: reading ten things at once, and why the predator in us locks onto only one. Why Martin holds the objective and lets the horse choose which seed grows today. <li class= "font-
When I was eleven, my mom handed me The Man Who Listens to Horses. Last week, the man who wrote it died. Within days, the horse world also lost Alexandra Kurland — the woman who spent decades convincing us that a clicker and a handful of food belonged in serious horse training. This is a solo episode. An essay, read aloud, on two pioneers who stood in opposite corners of horse training and still moved the same conversation forward. On join up, and what it asks of a flight animal sent around a round pen. On positive reinforcement, and why handing a horse food never automatically creates consent. On the disputed parts of Monty's story, and why we can hold gratitude and discernment at the same time. And underneath it all, the question I keep circling: why do we need our teachers to be heroes? We put trainers on pedestals. The flaws appear — they always do — and reverence flips to contempt overnight. Either way, the person is never allowed to be human. And pedestals are useless to horses. A pedestal has never once made a horse feel safer, calmer, or less confused about what we are asking. I believe we are living through the biggest shift in the human-horse relationship since machines took horses out of our fields and our wars. The question used to be: can the horse do it? The question becoming ours is: what does it cost the horse to do it? Did the horse understand, or did it simply stop resisting? Does the absence of conflict mean the horse feels safe? One day, we will be the outdated ones. The next generation will see pressure we could not recognize and pain we rationalized. I hope so. If they never outgrow us, we failed to help them see farther. Monty Roberts and Alexandra Kurland do not need us to decide which one was right. They need us to carry the torch. And the torch is not join up. The torch is not the clicker. The torch is the responsibility to keep listening. Thank you, Monty. Thank you, Alexandra. This one is for the lineage — and for my mom, who put that book in my hands. In This Episode: Why join up is pressure and release in learning-theory terms — and why naming that honors Monty more than sainthood ever could The question Alexandra Kurland made possible: how do I create a learning environment where the horse becomes an active participant What the clicker teaches the human — poor timing, criteria that jump too fast, a missed try; the horse reports every one Why food on its own creates neither agency nor consent, and what positive reinforcement still demands of the person holding it Becky Moody at the top of dressage: trained with Carl Hester, embracing clicker work — evolution over allegiance The pedestal inversion: how reverence flips to contempt when the flaws appear, and why both extremes abandon the horse The three sentences responsible learning gets to say: this is what you made possible, this is where I believe you were wrong, this is what I will carry forward Learn more about Monty Roberts: website | facebook | youtube Learn more about Alexandra Kurland: <a href= "https://www.theclickercenter.com/" target="_bla
You measure with your hand while he stands there. Then he takes a step, and the horse you measured is gone. Saddle fit is horse care. I rode my whole life before anyone said that to me plainly. I met Letitia Glenn at Road to the Horse. She had seen footage of me riding, and the first thing she thought — which she then said to my face, out loud — was that I did not know what I did not know about saddles. She was right. I brought her out to Florida on the hottest day of that summer, rode in one of her saddles, and felt my mare Lady's scapula open in a way it never had on the whole road trip. Letitia came to horses at 47, with a two-year-old Paso Fino stallion named Echo, and she has spent the quarter century since asking one question. Why does equipment made by the finest makers in the world stop a horse from moving the way he moves loose in a pasture? She found the answer backpacking. Fifty-five pounds, eight miles, the Rocky Mountains. Picture the corner of a book pressed into your spine. You will contort away from it. So will he — and his left shoulder will talk to his right hip, and his hips will rotate forward, and his head will come up, and now you have a horse who cannot get under himself no matter how beautifully you ride the reins. So we go through what she watches for. The upward head nod at the walk on a loose rein. The four Bs. The belly tickle test, eight fingernails near the sternum, and a top line that travels from curved to flat while you stand there watching it happen. The hollow behind the scapula she once said she could have put a cantaloupe into, on a very good dressage rider's horse. Beef steak, she says, not beef jerky. We also get into the part of horse care that never appears on a bill of sale. Saddle fitters are often paid by the brand they recommend. Trainers take a cut on the tack their students are told to buy. A ten-thousand-dollar saddle is evidence of a marketing budget and nothing else. Lady gave me a scar on my stomach the first year I had her, reaching back for me while I did up the cinch. I used to call that her temperament. I asked her here because I wanted the horse world to have this, and because Lady told me about it years before I was willing to hear it. You can find out more about Letitia and her saddles here: website | instagram | youtube This episode was sponsord by Natural Horseman Saddles (Contour Saddlery) At Natural Horseman Saddles, we believe every saddle should be built around the horse—not the other way around. That's why our saddles are designed to support your horse's natural movement and feature an adjustable fitting system that adapts as your horse changes over time. The result? Better comfort, better performance, and a saddle designed to fit your horse for years to come. Experience the difference a truly horse-first saddle can make. Visit Naturalhorsemansaddles.com to learn more. Interested in more from Noëlle? Noëlle's writing again — head to her Substack for essays, observations, and the kind of thinking that doesn't fit in an episode. https://noellefloyd.substack.com Every episode is also on YouTube, where the conversation continues in the comments. https://www.youtube.com/@noellefloyd_plus And if you're ready to go deeper, NF+ is where the real work happens — masterclasses, curated content, and a community that takes horses seriously. https://noellefloydplus.com You can also download the app - <a href= "https://apps.apple.com/us/app/nf/id1572366848" target="_blank" rel="noopen
We say we want a willing horse. Then we climb on, and we start cramming. And when the horse gets tight, or slow, or stuck, we do the one thing that guarantees it gets worse — we add pressure. This is Part 2 of my conversation with Dr. Stephen Peters, and this time he brought a horse's brain. Cut in half, in his hands, on the table between us. He points to the cingulate. He points to the little kidney-bean pituitary. And he shows me, physically, the difference between a horse who can talk itself back down and a horse who has no way back. That difference has a name. It's a chemical called GABA. An empowered horse can produce it — can send the "stand down" signal before the cortisol ever floods the system. A horse in learned helplessness can't reach it. Same event, two completely different animals, and most of what separates them is what we wired in, and the state we wired it in. We get into the cocktail — dopamine, norepinephrine, acetylcholine, oxytocin, serotonin — and why drilling the same exercise seven times flattens every one of them. Why release is not the same thing as relief, and only the horse gets to tell you which one it was. Why recovery, the part everyone skips, is where the learning actually locks in. And why an hour on the clock is a human invention your horse never agreed to. Then it opens out — touch, exercise, diet, the five domains, allo-grooming, the prairie voles who fall apart in isolation and settle the second the herd rushes back in. And we close on Charles Darwin. Not the line everyone quotes. The one almost nobody does — the one where he says it's the cooperative communities, the ones that bond and help each other, that represent the highest level of evolution. Horses have the chemistry for that built in. Dr. Peters' whole argument is simple: let's use it. Start with Part 1 if you haven't — this picks up right where we left off. Dr. Stephen Peters is a neuroscientist who directed a clinic for brain health and memory, and co-author of Evidence-Based Horsemanship (with Martin Black). His most recent books are Horse Brain Science and A Horse's Life (with Mark Rashid and Chrissy McDonald), which pairs 19 real case studies with the neurological detective work behind each one. You can find all the books by Dr. Stephen Peters here: https://www.horsebrainscience.info/books Horse Brain Science: The Neuroscience of Ethical Horsemanship Horse Brain Science: A Foundation for Equine Neuroscience The Book of Neuropoetry Evidence Based Horsemanship A Horse's Life: The Neuroscience of Equine Welfare You can find out more about Dr. Stephen Peters on his websit
Join Noëlle each week, as she embarks on a journey to explore the vast and diverse world of horses, delving into the many sub-communities and cultures that shape our shared passion. This podcast is about more than just riding styles or training techniques; it's about celebrating the deep connection between humans and horses, and understanding the common threads that tie us together. Whether you're a seasoned rider or just starting out, you'll find inspiration, knowledge, and a sense of belonging in every episode.
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