In this episode, we take a deep dive into Emergency & I, the Dismemberment Plan's 1999 landmark and the album that cemented the band as one of the most distinctive acts to emerge from the DC indie scene. Recorded at Inner Ear Studios in Arlington, Virginia and Water Music in Hoboken, New Jersey, and produced by J. Robbins of Jawbox and Chad Clark of Beauty Pill, the record pushed well outside the boundaries of the post-hardcore tradition the band had grown up in, incorporating synths, funk rhythms, and unconventional song structures into something that resisted easy categorization then and still does now. The Dismemberment Plan formed in DC in 1993, building their early reputation through the same DIY venues and independent infrastructure that shaped bands like Fugazi and Jawbox. After a brief and unsuccessful stint at Interscope Records, they returned to DeSoto Records, the DC independent founded by members of Jawbox, to release Emergency & I. That path back to independence turned out to produce one of the era's most enduring records, one that critics and fans have continued to reassess and celebrate in the decades since. For this episode, we're joined by Chris DeVille, Managing Editor of Stereogum and author of Such Great Heights, a cultural history of the indie rock explosion. Together, we discuss why Emergency & I sounds like nothing else from its moment, how it bridged the DC hardcore tradition and the indie mainstream that followed, and why it has only grown in stature with time. Go Further: Chris DeVille – Stereogum || Such Great Heights Emergency & I – Wikipedia Follow Us: Social media: @dcrockpod Email: dcrockpod@gmail.com Hosts: Philip Basnight – Broke Royals Alex Vidales – Pilot Waves Podcast Artwork by Rebecca Basnight
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