Who’s afraid of realism?: ‘The Prime of Miss Jean Brodie’ by Muriel Spark

When Muriel Spark describes the art teacher, Mr Lloyd, in The Prime of Miss Jean Brodie, she writes that ‘most wonderful of all, he had only one arm, the right, with which he painted’. The loss of an arm was hardly wonderful for Mr Lloyd, but for the girls at the centre of the novel it is a rich source of fascination, and Spark’s description exemplifies her use of one of the classic realist tools, free indirect style, to fill her short book with the life and character of adolescent girlhood at an Edinburgh school in the 1930s. In this episode, James Wood considers the ways in which Spark, like Nabokov, gave the grammar of realism a post-modernist treatment to interrogate what it means to tell the story of a life. He considers the influence of Miss Brodie’s tyrannical, charismatic personality on the structure of the book itself, with its use of flash-forwards to suggest a Calvinistic, omniscient narrator, and the effect of Spark’s Dickensian leitmotif that sets the novelistic desire for knowability against the relentless change of youth. Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applecrwaor Other podcast apps: https://lrb.me/closereadingswaor Read more in the LRB: Frank Kermode on Spark's life: https://lrb.me/realismep1001 Colin Burrow on Spark's letters: https://lrb.me/realismep1002 Susan Eilenberg on Spark's poems: https://lrb.me/realismep1003 More Spark in Close Readings: Listen to Clare Bucknell and Colin Burrow on Spark's novel A Far Cry from Kensington in their Close Readings series On Satire. Learn more about your ad choices. Visit megaphone.fm/adchoices