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Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry: Daily Summaries Delivered
by David Naimon, Milkweed Editions
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- 5 days ago2h 44m
Valeria Luiselli : Beginning Middle End
We welcome back Valeria Luiselli—who first appeared on the show eleven years ago—to discuss her new and truly marvelous novel Beginning Middle End. Much like the shapeshifting god Proteus, who figures prominently in this story, Beginning Middle End is many things at once: a road novel, a family drama, a work of climate fiction, a feminist retelling of classical mythology, a novel about writing, about borders and migration, and perhaps even a field guide for the apocalypse, enacting a way to live and love in a time of rupture and unimaginable change. Join Valeria, Proteus, and a host of pre-Socratic philosophers as we follow the novel’s make-shift family, broken apart and now coming back together anew, in a Sicily beset by metamorphic forces, mythic, geologic, and more. If you enjoy today’s conversation, consider shapeshifting from a listener to a listener-supporter by joining the Between the Covers community. You can find out about all the benefits and rewards of doing so at the show’s Patreon page. Finally, to explore the many books discussed and referenced in today’s conversation check out the Between the Covers BookShop specific for today’s episode. In addition, don’t miss Milkweed Editions BookShop bookstore as well.
- 3 weeks ago1h 50m
From the Archives : Cristina Rivera Garza : The Taiga Syndrome & The Iliac Crest
Today’s archival conversation, recorded in 2019, is Cristina Rivera Garza’s first unforgettable appearance on the show. We discuss two works of fiction by her, The Taiga Syndrome and The Iliac Crest. Poet Daniel Borzutsky says of the first, “If The Taiga Syndrome is a book of illness, it’s also about exile, disappearance, borders, love, language and translation, desire, capitalism and its discontents, fairy tales, and what it means to be possessed by the madness of others and the madness of ourselves…There is no one writing novels as phantasmagorically exquisite as Cristina Rivera Garza’s. The Taiga Syndrome, which is both quietly poetic and narratively unhinged, is a crucial addition to her distinguished oeuvre.” And Yuri Herrera says of the second, “An intelligent, beautiful story about bodies disguised as a story about language disguised as a story about night terrors. Cristina Rivera Garza does not respect what is expected of a writer, of a novel, of language. She is an agitator.” For the bonus audio archive we have an extended conversation with acclaimed translator Suzanne Jill Levine. We explore the pleasures and challenges of translating Cristina’s work; what the collaboration between Suzanne, Cristina and Suzanne’s doctoral student in translating The Taiga Syndrome together looked like; what to expect when pursuing a degree in translation, and more. To learn how to subscribe to the bonus audio, and about the many other potential benefits of joining the Between the Covers community as a listener-supporter, head over to the show’s Patreon page.
- Jun 29, 20262h 6m
Eleni Sikelianos : Memory Rehearsal
Today’s guest is writer, poet and translator Eleni Sikelianos. We discuss her hybrid-genre, ancestral memoir Memory Rehearsal, a work that moves between poetry and prose, image and text, human and animal, history and mythology, and perhaps most of all tells the story of a poet’s self-discovery, finding her voice within a dual poetic lineage, within a chorus of remarkable voices, past and present. As Anne Waldman says: “Sikelianos’s voyage is a spiritual quest to untangle a history that only she and only poetry can accomplish. It is a meditation on gender, place, and reclamation, a struggle for a whole vision and version for the writer of her own self and purpose. The genius of this pursuit is staggering. . . .The intricate weaving and array of image and language to get there leaves me breathless. There is nothing like it that I have seen.” For the bonus audio archive Eleni contributes an electrifying reading from book one of H.D.’s Trilogy, called “The Walls Do Not Fall.” This joins many unforgettable contributions, whether Lisa Robertson reading her translation of the long Baudelaire poem “Hags,” Jorie Graham reading Robert Creeley, Jen Bervin reading Paul Celan, a late night whispered reading by Bhanu Kapil from her writing journal, and much more. To find out how to subscribe to the bonus audio, and about all the other potential benefits and rewards of joining the Between the Covers community as a listener-supporter, head over to the show’s Patreon page. Finally here is the BookShop for today’s conversation. [Author photo by Laird Hunt]
- Jun 8, 20262h 25m
Lisa Robertson : Riverwork
Lisa Robertson’s Riverwork twins the mysterious disappearance of the great aunt of our protagonist, Lucy Frost, and that same aunt’s interest in a long-disappeared river, buried under the streets of Paris. As Lucy searches for traces of her aunt, by attempting to inhabit and complete her work on this long-forgotten river, erased histories about both come to the surface. Today’s unforgettable conversation—whether when talking about laundry or linguistics, text or textile, dust or menses, archivists or troubadours—floods designation, spills over with newly daylighted significations. For the bonus audio archive Lisa introduces us to and reads her translation of “Hags,” the long poem by Charles Baudelaire that is a germ for both of her novels, The Baudelaire Fractal and Riverwork. This joins many contributions from past guests including Dionne Brand, Christina Sharpe, Canisia Lubrin, Sheila Heti, Leanne Betasamosake Simpson, Bhanu Kapil, Kate Zambreno, Sofia Samatar and many more. To learn how to subscribe to the bonus audio and about the many other potential benefits and rewards of joining the Between the Covers community as a listener support, head over to the show’s Patreon page. Finally here is the robust and wide-ranging BookShop for today’s conversation.
- Jun 1, 20261h 32m
From the Archives : Richard Powers : The Overstory
Today’s archival episode with Richard Powers, about The Overstory, was recorded in 2019 in the studios of KBOO community radio in Portland, Oregon. Unusually, that same night I appeared with Richard at a live ticketed event at Revolution Hall to discuss the same book. Beyond the differences between an intimate one-on-one in-studio conversation (which today’s episode is), and a public-facing live event, where the presence of the audience is palpable and becomes part of the collective rapport we establish, I also developed two discrete lines of inquiry for each conversation respectively. So if you haven’t heard the live conversation (aired in 2023), I highly recommend it as well. Barbara Kingsolver for the New York Times Book Review declares The Overstory—winner of the 2019 Pulitzer Prize in Fiction—a book that accomplishes “what few living writers from either camp, art or science, could attempt. Using the tools of story, he pulls readers heart-first into a perspective so much longer-lived and more subtly developed than the human purview that we gain glimpses of a vast, primordial sensibility.” What does it mean to de-center humans in a story written for a human readership? We explore that together today. For the bonus audio archive Richard discusses a collaborative tree cantata between musicans and writers, where writers pick their favorite text about trees and the musicians compose music to accompany it. Richard then reads his selection for the project, “Native Trees” by W.S. Merwin. This joins an ever-growing archive of material contributed by past guests, whether Forrest Gander reading poems in collaboration with a lichen scientist or Jorie Graham reading poems about rain by others; whether writing exercises by Lucy Ives, Lily Dunn or Will Alexander, or craft talks by Jeannie Vanasco and Marlon James. To learn how to subscribe to the bonus audio and about the other potential benefits and rewards of joining the Between the Covers community, head over to the show’s Patreon page.
- May 25, 20262h 10m
Giada Scodellaro : Ruins, Child
Dionne Brand says of Giada Scodellaro debut novel, winner of the prestigious Novel Prize: “Ruins, Child takes us to the crumbling architecture of a future past; a future past that is possibly now. In this work of fractal seeing, we encounter women in lives that are simultaneously lived, reenacted, and observed. Ruins, Child is conceptually rich, prismatic, and choral, embodied, and surreal, cinematic and textual. Giada Scodellaro writes us Black life watching Black life.” In today’s conversation with Giada we look at this singular novel, one that moves less by story than by sound and by image; we look at the politics and poetics of the gaze, at the grammar of film and dance in relation to the the way Giada’s language gestures and flows; at Black artistic lineages, and at this community in her novel, of largely Black women, who film themselves living, and watch themselves on film alive. For the bonus audio archive, Giada contributes a reading from Dionne Brand’s touchstone collection of poetry Ossuaries. This joins contributions from many past guests including Dionne herself, Christina Sharpe, Nikky Finney, Ada Limón, Lydia Davis, Viet Thanh Nguyen and many others. To learn how to subscribe to the bonus audio and about the many other potential benefits and rewards of joining the Between the Covers community as a listener-supporter, head over to the show’s Patreon page. Finally, here is the BookShop for today.
- May 8, 20262h 42m
Saul Williams : Martyr Loser King
Martyr Loser King, the debut graphic novel of poet, musician, actor and director Saul Williams, with art by Morgan Sorne, not only exists in the same world as his feature film Neptune Frost, but also that of three of his albums, one of his poetry collections and a touring dance performance called The Motherboard Suite. All of these works, in their respective disciplines, explore the distribution of power, the intersection of technology and race, and how our digitally-mediated lives are sustained by the crudest and cruelest of analog exploitations. In Martyr Loser King we follow two Central African protagonists—a miner of coltan, the trace mineral that powers our smart phones and laptops, and an intersex hacker with designs on the system extracting wealth from their country and people. To borrow words from Saul’s song and poem “Coltan as Cotton,” in today’s conversation we hack into land rights and ownership, faith and morality, masculinity, femininity and sexuality. We hack into the rebellious gene, the storyboard, and the history of revolutions. We hack into the database and the panel marked “survival.” If you enjoy today’s conversation consider joining the Between the Covers community as a listener-supporter. One of the many benefits and rewards you can choose from is access to the bonus audio archive, with contributions from everyone from Dionne Brand to Isabella Hammad, N.K. Jemisin to Danez Smith, Naomi Klein to Viet Thanh Nguyen. You can find out more at the show’s Patreon page. Finally, here is the BookShop for today’s conversation.
- May 1, 202656 min
From the Archives : Zadie Smith : Grand Union
Today’s classic episode from the archives with Zadie Smith was recorded in 2019 at the studios of KBOO community radio to discuss her story collection Grand Union. The conversation ranges wildly—from the politics of representation, of being “free to imagine,” to the freedoms we’ve surrendered to surveillance capitalism. It ranges widely because her collection is, in the words of the San Francisco Chronicle an “unusual creature…Between the covers of one book, readers will find such disparate forms as allegory, parable, speculative thriller and satire, as well as shorter incarnations of Smith’s characteristic social comedy . . . Smith’s voracious intellect is on full display.” If you enjoy today’s conversation consider joining the Between the Covers community as a listener-supporter. Find out about all the potential benefits and rewards of doing so at the show’s Patreon page.
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