
Get early access to ad-free episodes and exclusive panel discussions by joining our Patreon We're back with part 2 of our conversation with former New York City Ballet and Miami City Ballet soloist Kathryn Morgan. This half covers what happens behind the scenes of judging, including why some score sheets come back without comments and what judges actually talk about when they're not watching dancers. Kathryn also talks about why most company directors steer clear of hiring dancers with a big social media following, and the toll that chasing a following and a certain body image can take on young dancers. She ends with her take on why ballet companies are struggling to hold onto talent and audiences, and why she doesn't think the repertoire is the problem. Links: Pick Up a Year-Round Training Corrections Journal Read Our Ballet School Summer & Year-Round Reviews Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok: @BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI
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Kathryn Morgan on Ballet Competitions & Pressure to Be Instafamous

Sending Your Dancer to Full-Time Ballet Training in Europe | Part 2

Sending Your Dancer to Full-Time Ballet Training in Europe | Part 1

The Life of a Freelance Ballet Dancer
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